Georgetown Learning Community – Fall 2024 Course Descriptions
Three Economic Puzzles: Economic Growth – Price Inflation and Interest Rates – and How the Government Tries to Manage Them
Professor Stanley Nollen
Thursdays – October 3, 10, and 17 from 10:30 a.m. – Noon, Online on Zoom
Registration Closes: Friday, September 20 at Noon EDT
This interactive course is focused on some of the most controversial and misunderstood economic issues in our time. They show up every day in the presidential election campaign, talk shows, social media, and print newspapers. We articulate the issues and try to understand public reactions to them. We try to make non-partisan sense of them. The course will cover the following topics: Economic Growth, in the US and beyond, Price Inflation, and Interest rates, and How the Government Tries to Manage the Economy.
How do governments try to manage economic growth? Price inflation? Interest rates? Are US government budget deficits too high? Should taxes go up? Who pays taxes in America? Should we raise revenue via tariffs instead of taxes? How does the central bank (Federal Reserve) manage interest rates? Is the Fed making a mistake?
Matthew’s Gospel: Justice, Judaism, and Church Organization
Professor Anthony Tambasco
Mondays – October 7, 21, and 28 from 10:30 a.m. – Noon, Online on Zoom
Registration Closes: Friday, September 27 at Noon EDT
This mini-course will discuss the development of the Gospel according to Matthew as a handbook for Church organization and teaching as Christianity at the end of the first century evolved in a shifting view of the end of time that necessitated ongoing engagement with the world, with secular society, with Judaism, with Roman oppression, and with a continuing Church mission. Students will find it helpful to bring a Bible to class.
The Experience of Alzheimer’s Disease*
Professor Steven Sabat
Wednesdays – October 16, 23, and 30 from 10:30 a.m. – Noon, In Person
Registration Closes: Friday, October 4 at Noon EDT
In this course, Professor Sabat shall present a bio-psycho-social approach to understanding people living with Alzheimer’s disease. There is a difference between understanding what Oliver Sacks called, “the disease a person has” and “the person the disease has”. Most of what is presented in the mass media is concerned with the former, far less with the latter. Alzheimer’s disease is something that is experienced by the person diagnosed as well as that person’s family and friends. To live with the effects of this disease requires that we understand (a) the effects of the brain damage caused by the disease, (b) the perspective–the subjective experience– of the person diagnosed, and (c) how family and friends can support the person diagnosed as best they can. In this course, we will introduce people in the class to these crucial areas of concern.
*This is an in-person course that will be taught at 2115 Wisconsin Avenue, NW. Room locations will be sent by email to course participants on October 4. There is a limit of 20 persons for this course.
The Maiden and the City: Dangerous Virgins in Tragedy
Professor Victoria Pedrick
Wednesdays – November 6, 13, 20, and December 4 from 11:00 a.m. – 12:30 p.m., Online on Zoom
Registration Closes: Friday, October 25 at Noon EDT
The wellborn maiden in Greek myth is the precious flower of her father’s household, her fragility carefully guarded as a sign of his prestige and his contribution to the well-being of his city. In Greek tragedy, however, the maiden’s very name can terrify: Antigone, Iphigenia, the daughters of Danaüs, Polyxena, all take actions that ruin the armies of men or cities that gave them birth, take them in, or capture them. The ancient Athenian audience, as it watched these maidens defy restraint or demand impossible things, might have pondered how very dangerous the unruly young woman could be. We too can still be startled by the shocking power of a child—at least in our eyes—who decides she has nothing to lose.
Greek tragedy contains two striking images of maidens that appear fundamentally opposed to one another. We can watch a young girl such as Antigone defy the demands of her city in favor of her own desires and intentions, though this resistance proves ruinous for herself and for Thebes. But we can also watch a maiden such as Iphigenia face her own father’s demand for her death as a gesture that, she is promised, will permit the glorious enterprise he presides over—the Greek assault on Troy—to go forward. In either case the spectacle of the maiden facing death, whether in defiance or obedience, dramatizing a disturbing power within her that threatens the familial and social structures their male kin or rulers take for granted. Fathers expected to make good marriages for their daughters that would strengthen ties with allies and knit more tightly together the fabric of the city; the city counted on new generations of young men to fight its wars and eventually lead it.
This course studies how the ancient playwrights Aeschylus, Sophocles, and Euripides each dramatize the deadliness of a maiden who seems helpless and yet turns out to be dangerous beyond all anticipation. The figure of the maiden is a wild and untamed force within the mythic and cultural stereotypes understood by the ancient audience as a great peril for their collective, whether the city or the army, but may shock us today.
Who Gets What? The Mathematics of Voting, Sharing, and Conflict
Professor Hans Engler
Thursdays – November 7, 14, and 21 from 11:00 a.m. – 12:30 p.m., Online on Zoom
Registration Closes: Friday, October 25 at Noon EDT
What is a fair way to distribute an inheritance among several heirs? How about an equitable way of dividing household chores? How can one prove in court that a redistricting scheme is unfair? What is a good way to bid in an auction? How about playing “rock – paper – scissors”?
These questions are about individual or community decisions in situations of diverging interests and possibly conflict. Some of these have solutions that we all know from childhood: To divide a piece of cake, one person cuts, the other chooses. Is there a simple and fair division scheme if there are three people who each want a piece of the pie? In “rock – paper – scissors”, one should play unpredictably and choose all options more or less equally often. Is that also a good idea in a labor dispute or in a diplomatic standoff?
The mathematical methods for these questions include theories of fair division, voting, and game playing. The course will introduce some of these methods which can suggest solutions, clarify the issues, and in some cases show that good or practical solutions are very hard to find or do not exist at all. For example, dividing a pie equitably among four people may require many cuts and therefore generate a lot of crumbs. And there is no rational scheme that always turns individual preferences among three alternatives into a clear and unambiguous community decision. These methods have found wide use in the social sciences and often have policy implications, e.g. in discussions and legal disputes about alternative voting schemes and redistricting. The course is based on an undergraduate course for non-majors that one of my students called “the class for people who liked math in middle school”.
Shakespeare’s King Lear
Professor Michael Collins
Tuesdays – November 19, 26, and December 3 from 2:00 – 3:30 p.m., Online on Zoom
Registration Closes: Friday, November 8 at Noon EST
Although some might say Hamlet, King Lear is for many Shakespeare’s greatest play. Complex and often ambiguous, it raises public questions about power and governance and private questions about aging and relationships in and among families. But at its core King Lear confronts the fundamental human question—the fundamental religious question—do we live in a sane or a lunatic universe?
The course shall consider how these questions emerge in the play, looking at some of its key scenes and, when recordings are available, observing how they have been played on the stage. The primary question the course will try to answer is what value the play might have even though it invites a diversity of responses and refuses to confirm any one of them.
Participants are asked to read the play before the class begins. (While the choice is not crucial, an edition based on the Folio text of 1623 is preferable to one based on the Quarto of 1608). Various productions of the play have been recorded. Productions with Laurence Oliver, Michael Hordern (for the BBC series), James Earl Jones, and Ian McKellen are available on YouTube. (The one with Ian McKellen is probably the best). Productions with Anthony Hopkins and Ian Holm are available on Amazon Prime. (These are both very good productions of the play).